Hulton v Bayerische Staatsgemäldesammlungen (Q108738055)

lawsuit, claim for restitution of artwork

MICHAEL R. HULTON and PENNY R. HULTON, Plaintiffs, - against - BAYERISCHE STAATSGEMÄLDESAMMLUNGEN, a/k/a THE BAVARIAN STATE PAINTINGS COLLECTIONS, and FREISTAAT BAYERN
Case No. 16-cv-9360
Hulton et al v, Bayerische Staatsgemaldesammlungen et al, U.S. District Court, Southern District of New York, No. 16-09360

Language	Label	Description	Also known as
English	Hulton v Bayerische Staatsgemäldesammlungen	lawsuit, claim for restitution of artwork	MICHAEL R. HULTON and PENNY R. HULTON, Plaintiffs, - against - BAYERISCHE STAATSGEMÄLDESAMMLUNGEN, a/k/a THE BAVARIAN STATE PAINTINGS COLLECTIONS, and FREISTAAT BAYERN Case No. 16-cv-9360 Hulton et al v, Bayerische Staatsgemaldesammlungen et al, U.S. District Court, Southern District of New York, No. 16-09360

Statements

instance of

lawsuit

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claim for restitution of an artwork

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legal instrument

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title

MICHAEL R. HULTON and PENNY R. HULTON, Plaintiffs,- against -BAYERISCHE STAATSGEMÄLDESAMMLUNGEN, a/k/a THE BAVARIAN STATE PAINTINGS COLLECTIONS, and FREISTAAT BAYERN (English)

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country

United States of America

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main subject

claim for restitution of an artwork

1 reference

reference URL

https://www.reuters.com/article/lifestyle/bavaria-is-sued-in-new-york-over-paintings-looted-by-nazis-idUSKBN13U2SE/

retrieved

11 September 2024

quotation

According to the complaint, the eight paintings include Beckmann's "Duchess of Malvedi" (1926), "Still Life with Cigar Box" (1926), "Quappi in Blue" (1926), "Dream—Chinese Fireworks" (1927), "Champagne Still Life" (1929) and "Still Life with Studio Window" (1931); Gris' "Cruche et Verre Sur un Table" (1916) and Klee's "Grenzen des Verstandes" (1927). (English)