Laurie Stein (Q104029446)
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provenance researcher, independent consultant
- Laurie A. Stein
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | Laurie Stein |
provenance researcher, independent consultant |
|
Statements
1956
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28 January 2021
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28 January 2021
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Kann’s heirs started tracking down other works from his collection in the 1990s, and first made a claim to the Picasso painting at RISD in 2010. The university then commissioned the Nazi-era provenance expert Laurie Stein to investigate the work’s history and “follow the facts wherever they led”. Based on Stein’s report, the museum rejected the claim in 2012. (English)
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The Cassirers accuse the Baron of falsifying the record in his purchase notebook and argue the district court’s finding that it was a mistake was clearly erroneous. We reject this argument because there is evidence in the record from which a trier of fact could find that the erroneous provenance information about the Painting in the Baron’s purchase notebook was a mistake. Indeed, TBC’s expert Laurie Stein opined that the false provenance information was a “mistake[],” and three other paintings, none of which are claimed to have been stolen goods, were similarly reported as sold in Paris rather than New York. (English)
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Nathan, a German of Jewish descent, emigrated to Paris in 1937. Robert Tannahill, a Detroit collector, bequeathed the Van Gogh painting in 1970 to the DIA. He bought it in 1941 from a member of the art group that bought it from Nathan for $9,364, according to a news release. The 18-month study was led by Laurie Stein, an independent art historian, who has conducted similar research for the Museum of Modern Art in New York City, the Art Institute of Chicago and the Yale University Art Gallery in New Haven, Conn. Her work has led to the resolution of claims by museums and the heirs of prior owners, the release said. (English)
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Thanks to the efforts of the curators, the Foundation E.G. Bührle Collection possesses an archive that is quite extensive. It formed the basis for subsequent research that compared the available information with more recent findings. With the assistance of internationally renowned provenance researcher Laurie A. Stein (Chicago/Berlin) the information available has been transferred to a system that not only records every known change of a work’s ownership but also discloses the source of the information concerned. (English)
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In any event, Stein, who worked for MoMA as an expert in the Grosz case, has changed her evaluation of Valentin. When Dowd took Stein’s deposition in the Grosz case, in November 2009, she also declined to share the second part of her report, citing her confidentiality agreement with the Swiss government. In her deposition with Dowd, a copy of which was reviewed by ARTnews, Stein contradicted what she had written in the Swiss report and asserted that Curt Valentin was a “reputable art dealer” and that “the liquidation of Galerie Flechtheim was an orderly professional process.” (English)
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Tinterow also stands by an independent report conducted on behalf of the museum by provenance researcher Laurie Stein, of Chicago’s L. Stein Art Research back in 2007. She concluded that the sale was, in fact, voluntary. (English)
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She was founding director for the Pulitzer Foundation for the Arts in St. Louis. (English)
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Nagy cross-moved for summary judgment, arguing that there was a lack of evidence that Grunbaum ever owned the Artworks, and, rather, that the evidence showed that the Artworks were always possessed by Mathilde and never stolen by the Nazis. Nagy asserted that he was a good faith purchaser and that plaintiffs had failed to timely pursue their claim. Nagy relied upon the expert reports of Dr. Sophie Lillie,[FN20] Lynn Nicholas,[FN21] Laurie Stein [FN22] and Dr. August Reinisch [FN23]. He also submitted correspondence allegedly between Kornfeld and Mathilde regarding the 1956 sale of the Schiele Collection. (English)
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"Sometimes an error is just an error," one of the museum's provenance experts, Laurie Stein, said of the Paris-New York discrepancy.Asked if the baron ever looked on the back of the painting to see its provenance labels, including one from Lilly Cassirer's father's art gallery in Berlin, she said she didn't know. (English)
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Tinterow also stands by an independent report conducted on behalf of the museum by provenance researcher Laurie Stein, of Chicago’s L. Stein Art Research back in 2007. She concluded that the sale was, in fact, voluntary. (English)
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Identifiers
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10 February 2023
14 February 2023
Stein, Laurie A.
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