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File:Madame Lefranc målande porträttet av sin make Charles Lefranc (Adélaïde Labille-Guiard) - Nationalmuseum - 137894 (cropped).tif

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Adélaïde Labille-Guiard: Madame Lefranc Painting the Portrait of her Husband Charles Lefranc  wikidata:Q43257123 reasonator:Q43257123
Artist
Adélaïde Labille-Guiard  (1749–1803)  wikidata:Q235647
 
Adélaïde Labille-Guiard
Alternative names
Madame Vincent
Description French painter, visual artist, miniaturist and artist
Date of birth/death 11 April 1749 Edit this at Wikidata 24 April 1803 Edit this at Wikidata
Location of birth/death Paris Paris
Work period 1763-1801
Work location
Paris Edit this at Wikidata
Authority file
creator QS:P170,Q235647
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
Swedish:
Madame Lefranc målande porträttet av sin make Charles Lefranc Edit this at Wikidata

Madame Lefranc Painting the Portrait of her Husband Charles Lefranc
title QS:P1476,sv:"Madame Lefranc målande porträttet av sin make Charles Lefranc Edit this at Wikidata"
label QS:Lsv,"Madame Lefranc målande porträttet av sin make Charles Lefranc Edit this at Wikidata"
label QS:Len,"Madame Lefranc Painting the Portrait of her Husband Charles Lefranc"
label QS:Lfr,"Madame Lefranc peignant le portrait de son époux Charles Lefranc"
Object type painting Edit this at Wikidata
Genre portrait Edit this at Wikidata
Description
Description
English: New acquisition, February 2013:

Miniature portrait, by Adélaïde Labille-Guiard

Nationalmuseum has acquired a spectacular miniature by Adélaïde Labille-Guiard. One of the most important women artists in late 18th-century France, she was not previously represented in the museum’s collections. The work is interesting on account of the motif alone, depicting a woman, albeit an amateur, in the role of artist.

Miniature portraits by Adélaïde Labille-Guiard (1749–1803) are extraordinarily rare. Her depiction of Madame Lefranc Painting a Portrait of Her Husband Charles Lefranc was painted five years after she made her debut (1779). Like many other female artists, she realized early on that miniature portraits offered a steady source of income. She was a pupil of the Swiss enamellist François-Élie Vincent, a neighbour of her father’s fashion shop in Paris. Gradually Labille-Guiard also took up working with pastels. She frequently reproduced these works in a smaller format as miniatures. After her election to the French Royal Academy of Art in 1783, she switched over completely to large-scale oil portraits. By then, Labille-Guiard had acquired pupils such as Marie-Gabrielle Capet and Marie-Thérèse de Noireterre. It became their job to translate her portraits into miniature format to satisfy the ever-changing demands of customers.

The acquisition of this spectacular work by Adélaïde Labille-Guiard, made possible by a generous donation from the Hjalmar and Anna Wicander Foundation, has filled a major gap in Nationalmuseum’s world-renowned miniatures collection. Madame Lefranc Painting a Portrait of Her Husband Charles Lefranc also documents a time when women began to emerge as serious artists.
Svenska: Månadens nyförvärv, Februari 2013:

Porträttminiatyr, av Adélaïde Labille-Guiard

Nationalmuseum har förvärvat en spektakulär miniatyr av Adélaïde Labille-Guiard. Hon tillhörde de mest betydande kvinnliga konstnärerna i Frankrike i slutet av 1700-talet, men var tidigare inte representerad i museets samlingar. Motivmässigt är hennes framställning i sig intressant eftersom den visar en kvinna, om än amatör, i rollen som konstnär.

Miniatyrporträtt av Adélaïde Labille-Guiard (1749-1803) är utomordentligt sällsynta. Hennes framställning av Madame Lefranc målande porträttet av sin make Charles Lefranc, är utförd fem år efter debuten (1779). Precis som många andra kvinnor insåg hon tidigt att porträttminiatyrer gav en säker försörjning. Hennes lärare var en granne till faderns modebutik i Paris, den schweiziske emaljören François-Élie Vincent. Så småningom började Labille-Guiard också arbeta med pasteller. Inte sällan verkar hon även ha repeterat dessa i mindre format, som miniatyrer. Efter invalet år 1783, i den franska konstakademien, övergick hon helt till att måla oljeporträtt i stort format. Då hade Labille-Guiard också hunnit skaffa sig elever såsom Marie-Gabrielle Capet och Marie-Thérèse de Noireterre. Det föll nu på deras lott att översätta hennes porträtt till miniatyrer, allt för att tillfredställa kundernas skiftande önskemål.

Genom förvärvet av detta spektakulära verk av Adélaïde Labille-Guiard, som möjliggjorts genom donationsmedel ur Hjalmar och Anna Wicanders stiftelse, har en viktig lucka fyllts i museets världsberömda miniatyrsamling. Samtidigt berättar Madame Lefranc målande porträttet av sin make Charles Lefranc om en tid då kvinnor på allvar framträdde som betydande konstnärer.
Date 1779 Edit this at Wikidata
Medium watercolor paint and gouache painting on ivory Edit this at Wikidata
Dimensions height: 6.6 cm (2.5 in) Edit this at Wikidata
dimensions QS:P2048,+6.6U174728
institution QS:P195,Q842858
Accession number
NMB 2625 (Nationalmuseum) Edit this at Wikidata
Object history

Provenance:

  • Auction: Christie's, Sale 6297, London, 24 May 2000, Miniatures, lot 82, Eugène Pap (1910-2006) Collection, Paris. Christie's, LotFinder: entry 1788296
  • Auction: Christie's, Sale 5962, London, 27 - 28 November 2012, Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes, lot 433. Christie's, LotFinder: entry 5628570
  • Purchase 2013 Hjalmar and Anna Wicander Fund
Exhibition history Paris, Galerie Marigny, Miniatures du XVIe au XIXe siècle, 1985, no. 84, illustrated p. 19, pl. V.
Inscriptions
  • Signature and date bottom left:
Labille Guiard 1779 Edit this at Wikidata
References OLAUSSON, Magnus. Madame Lefranc painting a portrait of her husband Charles Lefranc: a miniature by Adélaïde Labille-Guiard. Art bulletin of Nationalmuseum Stockholm, 2014, vol. 20, no 2013, p. 37-38.
Source/Photographer Bodil Beckman / Nationalmuseum
Permission
(Reusing this file)

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

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