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File:'View of Resolution (Vaitahu) Bay in the Marquesas' RMG BHC2419.tiff

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Summary

William Hodges: 'View of Resolution [Vaitahu] Bay in the Marquesas'  wikidata:Q50877640 reasonator:Q50877640
Artist
William Hodges  (1744–1797)  wikidata:Q730841 s:en:Author:William Hodges q:en:William Hodges
 
William Hodges
Description British explorer and painter
Date of birth/death 28 October 1744 Edit this at Wikidata 6 March 1797 Edit this at Wikidata
Location of birth/death London Brixham (Devonshire)
Work location
London, Derby, Bengalen
Authority file
creator QS:P170,Q730841
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
'View of Resolution [Vaitahu] Bay in the Marquesas' Edit this at Wikidata
title QS:P1476,en:"'View of Resolution [Vaitahu] Bay in the Marquesas' Edit this at Wikidata"
label QS:Len,"'View of Resolution [Vaitahu] Bay in the Marquesas' Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: 'View of Resolution [Vaitahu] Bay in the Marquesas'

Hodges' paintings of the Pacific are vivid records of British exploration. He was appointed by the Admiralty to record the places discovered on Cook's second voyage, undertaken in the 'Resolution' and 'Adventure', 1772-75. This was primarily in the form of drawings, with some oil sketches, many later converted to engravings in the official voyage account. He also completed large oil paintings for exhibition in London on his return, which exercised lasting influence on European ideas of the Pacific. The National Maritime Museum holds 26 oils relating to the voyage of which 24 were either painted for or acquired by the Admiralty.

Cook's main purpose on this expedition was to locate, if possible, the much talked-of but unknown Southern Continent and further expand knowledge of the central Pacific islands, in which Hodges' records of coastal profiles were in part important for navigational reasons. One of Hodges’ tasks on the ship was the routine training of officers to make such profiles. The impact of this work on his painting is evident in his small oil studies of the islands and coastlines.

This is one of two similar canvases painted on the spot during Cook’s second voyage (see also BHC2418). These are strikingly unconventional departures from the artistic tradition of landscape painting. Above all, they show a western artist’s attempts to come to terms for the first time with the effects of light in the southern hemisphere, combining thinly painted skies with thick impasto on the headlands and waters. Here Hodges shows the dark headland stark against the tropical light, including the peak dwellings recorded by Cook in his Journal.

Cook's 'rediscovery' of the Marquesas islands in April 1774 verified their finding and naming by the Spanish explorer Álvaro de Mendaña in 1595, which had been the first real European encounter with Polynesian societies. This study of Vaitahu Bay by Hodges is thought to be his last done on the voyage, made with dwindling supplies of paint. As he seems to have made no other oil studies since the 'Resolution' left the Society Islands in September 1773, the relocation of these significant islands must have seemed a crucial subject to record.

View of Resolution [Vaitahu] Bay in the Marquesas
Date 1774
date QS:P571,+1774-00-00T00:00:00Z/9
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 495 mm x 635 mm; Frame: 625 mm x 780 mm x 110 mm;Frame inc.cartouche: 690 mm x 780 mm x 110 mm; Weight: 10 kg;
institution QS:P195,Q7374509
Current location
Accession number
BHC2419
Notes

Signed [initials]. Acquisition method: permanent. This item will need to be checked for object numbers and its condition activity updated

Overall size includes cartouche.
References Royal Museums Greenwich artwork ID: 13894 Edit this at Wikidata
Source/Photographer http://collections.rmg.co.uk/collections/objects/13894
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
MOD number: MOD ID 61
id number: BHC2419
Collection
InfoField
Oil paintings

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current10:37, 22 September 2017Thumbnail for version as of 10:37, 22 September 20173,270 × 3,000 (28.07 MB)Royal Museums Greenwich Oil paintings (1774), http://collections.rmg.co.uk/collections/objects/13894 #1219

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