Talk:Q381248

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influenced by (P737)[edit]

Looking further afield, the young artist developed a love of the Primitives – the late mediaeval German masters (Cranach, Dürer, and Holbein) and the Italian painters of the Quattrocento (Carpaccio, and Bellini) – and among his own contemporaries the Belgian artist Henri Leys, and the British Pre-Raphaelite painters in whom he recognised a similarly authentic approach to observing the world and exquisite execution https://www.musee-orsay.fr/en/whats-on/exhibitions/presentation/james-tissot-1836-1902-ambiguously-modern#anchor-navigation-2 Traopia (talk) 15:48, 16 February 2024 (UTC)[reply]